critical ecologies

This discussion is adapted from a presentation by Roderick Coover and Scott Rettberg of Toxi•City and other CRchange projects at the Arts Santa Mònica museum in Barcelona on March 3, 2016.Toxi•City was exhibited there as part of the “Paraules Pixelades” exhibition.

This conversation is published as the third in a series of texts centered around the publication of The Metainterface by Søren Pold and Christian Ulrik Andersen. Other essays in the series include: The Metainterface of the Clouds, Always Inside, Always Enfolded into The Metainterface: A Roundtable Discussion. and Room for So Much World: A Conversation with Shelley Jackson.

The following assemblage, one of a series initiated with ebr version 7.0, is composed of four elements: a presentation (for release in October 2018) of Søren Bro Pold & Christian Ulrik Andersen’s The Metainterface including an excerpt from “The Cloud Interface: Experiences of a Metainterface World” chapter of the book (with permission from The MIT Press); a discussion (November 2018) by Scott Rettberg and Roderick Coover about the visual and narrative design of Toxi•City: a Climate Change Narrative, and a discussion of issues raised by The Metainterface (December 2018) that were taken up by the Bergen Electronic Literature Research Group during the EcoDH seminar, University of Bergen, June 14, 2018, and an interview with Shelley Jackson (January 2019) focused on her project Snow and her new novel, Riddance; or, The Sybil Joines Vocational School for Ghost Speakers & Hearing-Mouth Children. Contributors: Christian Ulrik Andersen, Roderick Coover, Shelley Jackson, Elisabeth Nesheim, Scott Rettberg, and Lisa Swanstrom.

This essay is published as the first in a series of texts centered around the publication of The Metainterface by Søren Pold and Christian Ulrik Andersen. Other essays in the series include: Always Inside, Always Enfolded into The Metainterface: A Roundtable Discussion.,   Voices from Troubled Shores: Toxi•City: a Climate Change Narrative and Room for So Much World: A Conversation with Shelley Jackson.

Without anonymous peer review, there can be no formal recognition of literary scholarship, and ebr is no exception. That said, our journal looks for occasions to turn our confidential reports into public riPOSTes, if the reviewer is so inclined. In this essay, our colleagues from Coimbra, Manuel Portela and Ana Marques da Silva, stage reflections on the peer reviews that their own scholarly work has generated, in earlier submissions to other peer review outlets. The "metapaper" that results, is a further step in the initiative not to do away with peer review, but to bring the process into the public sphere.

This essay has been reprinted from the journal CounterText (2.2) by permission of Edinburgh University Press.

Even as the first biography of Kathy Acker appears, we have word of a newly assembled Acker archive in Cologne, under the curatorship of Daniel Schulz. The gist of which, could be to re-orient Acker's personal relationships to "the politics inherent in Acker's life."

Instead of simply reviewing Vibrant Matter by Jane Bennett (Duke 2010), author Dale Enggass applies Bennett's "Political Ecology of Things" to longstanding (and not yet resolved) themes of salvation, materialism and transcendence in Melville's Moby-Dick and Pamela Lu's Ambient Parking Lot.

Max Nestelieiev responds to Joseph McElroy’s recent ebr essay, exploring how Soviet control enforced onto writers a self-censorship for which their work paid the price.

A dedicated, elaborated thought stream from an author who, like McElroy, has read and thought about the presence of censorship (as theme and experience) in novels by Ross Gibson, Shariar Mandinipour,J. .M. Coetzee, W. G. Sebald, Mark Z Danielewski, Italo Calvino, and Fernando Pessoa. Author David Thomas Henry Wright explores the (loss of) authority of the literary novel in a time of "networked glut" while at the same time seeking trans-national, trans-historical, photographic, multi-medial and inter-generational "alliances" that might redress contemporary censorship and "deeply shape (or erode) contemporary literature."

Bergthaller's essay originally appeared in the collection, Ecological Thought in Germany. It is reprinted here, with permissions from Lexington Books, as part of an ebr gathering on Natural Media (December 2019).

Using recent events of planetary significance as a point of departure, Jeanette McVicker reviews The Planetary Turn: Relationality and Geoaesthetics in the Twenty-First Century, edited by Amy J. Elias and Christian Moraru.