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E-Lit’s #1 Hit: Is Instagram Poetry E-literature?

If ever there were e-literature that could fill a stadium, it’s Instagram poetry. This essay, which I presented on the panel “Toward E-Lit’s #1 Hit” at the Electronic Literature Organization 2018 conference in Montréal, responds to Matthew Kirschenbaum’s keynote at the prior year’s conference. Kirschenbaum traced the coincident development of stadium (“Prog”) Rock–specifically Electric Light Orchestra–and electronic literature, a twinning that led some of us to speculate about what might constitute massively popular e-literature, its “#1 hit.” Formally more akin to a greeting card than traditional poetry because of its sentimentality and combination of text and image, Instagram poetry is […]
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Elpenor: its multiple poetic dimensions

1.Structure of the work 1.1 Scenic configurations Created in 2015, Elpenor exists in two languages: English and French. It can be shown in installation, played in performance or published in a virtual machine. Its readable side develops on 2 separate screens. The interface is displayed on one screen, a text changing in time is on the other one. The interface consists of an image. Moving the mouse on the image changes it. The audience is immersed in a changing musical atmosphere. In the installation and performance configurations, the text is projected onto a large screen behind the small screen on […]

Descending into the Archives: An Interview with Hypertext Author Bill Bly

Brian Davis: The Fall 2017 volume of The New River features Volume Two of your three-volume work-in-progress hypertext, We Descend: Archives Pertaining to Egderus Scriptor. That’s quite a long title. What’s this project about? Bill Bly: We Descend is the short name for an ensemble of writings put together and passed along over a span of many generations. It takes the form of a three-volume hypertext novel that masquerades as a critical edition, with all the commentary, apparati, and other scholarly encrustations appertaining thereto. The overall story (and, since it’s hypertext, this story can be got at more than one […]
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Suspended Poetics: Echoes of The Seven Odes in Arabic E-Literature

Contemporary Arabic e-literature reproduces the ritual function of the earliest written poetry in Arabic. As a form of ritual, communication doesn’t merely communicate information about a world that already exists; communication creates our social world. As media historian James Carey describes it, communication creates, sustains, and transforms the very culture we inhabit as communicators. This function of communication as ritualized creation of social reality poses the problem of the individual. How is the individual speaker or listener, the individual voice and the individual ear, related to the community that communication builds? This question of the individual communicator within the community […]
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Sound at the Heart of Electronic Literature

Introduction One might suggest a central consideration of Arabic electronic literature is the shape-shifting nature of electronic literature in general. What one sees when looking for electronic literature depends upon the perspective from which one looks. I suggest another way of considering electronic literature: by listening. This essay considers sound—especially that of the storyteller’s voice, but including environmental and mechanical sounds as well—to be at the heart of every literary experience, whether contextualized in print or pixels. Conceptual Framework This centrality of sound draws directly on the rich oral history of Arab cultures and storytellers who, using only their voices, […]

Literary Readers in Cognitive Assemblages

In “Literary Texts as Cognitive Assemblages,” Katherine Hayles works to reposition our relationship with technological devices, viewing the human user not as an “autonomous being[]” who uses and develops these devices, but rather “as a component in a cognitive assemblage.” In this way, Hayles requires that we view cognition “as a spectrum rather than a single capability.” Here, Hayles intervenes in the pervasive mythos of the human as “completely autonomous” (an anthropocentric fantasy she aligns with Thoreau), and proposes instead a way of viewing digital literary production as communal, a process that sees not just activity, but creativity, distributed between […]

Speaking to Listening Machines: Literary Experiments with Aural Interfaces

INTRODUCTION In his book The Interface Effect (2012), Alexander Galloway considers how interfaces are not simply tools or stable objects, but “effects” (33) of concrete material conditions, as well as “practices of mediation” (16) that reflect culture. Computational devices are thus not simply machines that emulate other media, but translation processes occurring between many layers of code. Behind the surface-level of the interface, myriads of performances take place, too small and too fast for the human eye to perceive. Articulated with these, there are layers of protocols to which these processes must comply in order to be interpreted. These protocols […]
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A Response to Strange Metapaper on Computing Natural Language

How to answer the invitation by the editors of electronic book review to provide a response of some kind to ‘A Strange Metapaper on Computing Natural Language’? Should I write a report or review meant to evaluate the suitability of this ‘strange metapaper’ for publication? If so, then in which ways would my report be essentially different to those of the three reviewers whose reports already assess what Portela and da Silva call the ’embedded paper’, ‘If then or else: Who for whom about what in which’? In the version that appears on electronic book review, the authors have added […]
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Literary Texts as Cognitive Assemblages: The Case of Electronic Literature

Preface This essay is modified from a keynote lecture I gave at the “Arabic Electronic Literature: New Horizons and Global Perspectives” sponsored by the Rochester Institute of Technology Dubai on February 25-27, 2018. The conference organizers, Jonathon Penny from RIT and Reham Hosny from Minia University, arranged for simultaneous English-Arabic translations, enabling all participants to understand and respond to each other’s presentations. I learned that an Arabic group dedicated to electronic literature, The Unity, already exists and has several hundred members. Although it was not clear how active the group is at present, a spokesman was given space in the […]
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Electronic Literature Translation: Translation as Process, Experience and Mediation

1. Introduction We meet computer-based translation online on a daily basis, and while it often is helpful when trying to read a text on foreign language, we often have to read through errors and misunderstandings caused by the statistical translation algorithms. Increasingly such computer-based translation seeps into software as sloppy machine translation of help text, interface texts and instruction manuals, especially when you get outside of those languages for which there are more automated technologies. Sloppy machine translation often reinforces the experience of navigating a somewhat deserted place without any human intervention, reading texts written by and meant for nobody, […]
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