narratology

Narrativists vs. ludologists, material vs. formal constraints: Michael Mateas replies by identifying actors' roles in each division.

Literature scholars eager to understand gaming have made early inroads. Markku Eskelinen sets up serious checkpoints.

Markku Eskelinen reiterates the bounds of ludology.

J. Yellowlees Douglas adds more titles to Eskelinen's catalog of limnal games.

Keith Herber discusses how in his "Haunted House" scenario for Call of Cthulhu, characters are driven insane by their attempt to unravel the game's mysteries. Herber's explanation distinguishes his work from many other role-playing games in which the goal is to develop characters and acquire power and/or wealth. In contrast, characters in Herber's scenario are rewarded with mental instability.

"Where is the text in chess?" asks Espen Aarseth. Rules, play, and semiosis are the (un)common ground between games and stories in "interactive narrativism" and the art of simulation.

Dennis Cooper's disorienting novel, The Sluts, complicates reader expectations about subjectivity and identity. As a result, Megan Milks notes that it "is either the most honest or the most dishonest literature I have come across."

Stuart Moulthrop complicates the idea of self-contained games.

Espen Aarseth holds that gameplay, not Lara Croft?s physique, should command the attention of an evolving game studies.