No need to get excited. According to Julie Reiser, The Affect Theory Reader offers the reader no end of theory but little affect. Reiser suggests this points to a broader and systemic problem in any reading or theory of affect.
Eric Dean Rasmussen explores Lynne Tillman's "cognitive aesthetic," suggesting that her work is powered by the generative disconnect between asignifying affect and signifying emotion. He argues that her 1998 novel, No Lease on Life, examines the role of affectively sustained universal values in responding politically to the neoliberal city.
"Sedgwick's emphasis is on generating concepts that add to the complexity and inclusiveness of our representations, rather than trying to prescribe the right revolutionary path." Melissa Gregg reviews Eve Sedgwick's Touching Feeling.