R.M. Berry on the recuperation of politicized language, in (and through) the fiction of Marianne Hauser and Lidia Yuknavitch.
Salvatore Proietti straddles science and fiction to offer an interpretation of a McElroy Cyborg.
Chris Messenger achieves a rare convergence of elite and popular cultural criticism by doing for The Godfather (and its spinoffs) what previous critics have done for Uncle Tom’s Cabin.
Marjorie Perloff reviews Franco Moretti’s Modern Epic: The World-System from Goethe to Garcia Marquez.
