geniwate writes along with sexless software agents and dismantles the gender politics of the programming man and his machine.
Camille Utterback figures the mouse click as weakly interactive.
Techno-poet Stephanie Strickland surveys the digital artistic practices of her peers and presents a "paradigm for interaction."
Rita Raley on the varieties of code/text, as discovered in the object-oriented aesthetic of Mez, Ted Warnell, Talan Memmott, Alan Sondheim, and others.
