Phillippe Bootz gives an account of the longest standing web-based literary journal in France.
Translation by James Stevens
on the ghost in the machine: the font as spiritual medium in CD-ROM poetry design
Katherine Acheson’s free-standing hypertext demonstrates how design
can reinforce what’s said, offer a counterpoint, and, occasionally,
convey a critique of the critic.
Ted Pelton writes an in-depth account not just of the &Now Conference at Lake Forest College but of the state of experimental writers and small press publishing.
Tim Luke takes on the business of online learning.