Techno-poet Stephanie Strickland surveys the digital artistic practices of her peers and presents a “paradigm for interaction.”
Sidebar images from “Metaphoric Networks in Lexia to Perplexia.”
The reader steps to the fore in the final section of First Person, reconfigured and ready for interaction.
Bill Seaman hyphenates the “hybrid-languages” of Lexia to Perplexia.
Eugene Thacker’s question: “To what degree does language account for the markers and meanings of embodied difference?”
Camille Utterback figures the mouse click as weakly interactive.
The “cognitive entailments” of a reader, or “interactor,” are where Katherine Hayles redirects the new aesthetics of electronic textuality.
Stuart Moulthrop (re)mediates the interpretation (narrativists) vs. configuration (ludologists) debate by going macropolitical.