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Electronic Book Review (ebr) is a peer-reviewed journal of critical writing produced and published by the emergent digital literary network. Although ebr threads include essays addressing a wide range of topics across the arts, sciences, and humanities, ebr's editors are particularly interested in critically savvy, in-depth work addressing the digital future of literature, theory, criticism, and the arts.

Recent essays

The End of Landscape: Holes by Graham Allen

Anne Karhio

2017-06-03

In her discussion of the textual, technical, and figurative characteristics of Graham Allen’s Holes (2017), Karhio “argues that [Allen’s text] is not a landscape poem in the customary sense” and explores the ways in which the digital platforms deployed in the project’s creation and publication contribute to the signifying structures that “challenge the idea of landscape as symbolic representation of the inner world of the speaking subject.”

Towards Buen Vivir

Robert Lestón

2017-04-24

In this review of The Power at the End of the Economy, Lestón delineates the theoretical apparatus of Massumi’s book and its possible implications.

Before Corporate Monoculture

Alfred Thomas

2017-04-24

In this review of Henry Turner’s The Corporate Commonwealth, Thomas considers how Turner historicizes the term “corporatization” to explore its wide-ranging definitions and functions in early-modern England.

Un/Official Worlds

Gregory L. Ulmer

2017-04-24

In this review of Mark Seltzer’s The Official World, Ulmer reflects on the interdependence of “the official” and “the unofficial” in contemporary constructs of reality.

Love Your Corporation

Henry S. Turner

2017-04-17

Analyzing the long and complex history of the term corporation, Turner explores the possibility that the term’s roots in the universitas might serve as a basis for a re-translation and re-valuation of the corporate concept and establish a ground, both discursive and practical, for a reassessment of the “political” as a process of imaginative transformation and collective action.

Ghostbusters 2.0

Ralph Clare

2017-04-17

If the 1984 Ghostbusters film can be read as an early foreshadowing of the neoliberal transformation of the United States of America, how might the film’s 2016 sequel be interpreted? Ralph Clare reviews the new film in the context of his reading of the original in his 2014 book Fictions, Inc.

Academia.“edu”

Johannah Rodgers

2017-04-17

Investigating the question of whether academics should be concerned that Academia.edu is not an educational institution, Johannah Rodgers finds that the answers depend on your definition of “educational” and which parties you ask.

A Digital Publishing Model for Publication by Writers (for Writers)

Scott Rettberg

and Joseph Tabbi

2017-04-17

How might literary databases be seen as alternatives to the commodification of academic scholarship in for profit, subscriber platforms? Scott Rettberg and Joseph Tabbi discuss issues related to instrumentality, the global marketplace, and the digital humanities.

An Ontological Turn

Kieran Smith

2017-04-17

In this review of Mitchum Huehls’ After Critique, Smith situates Huehls’ “ontological approach” to the study of contemporary literature as arising from and standing in opposition to the “zombie plague” of neoliberalism.

The Economics of Book Reviews

Jeffrey Di Leo

2017-04-17

In a review of the contemporary publishing marketplace in the U.S. and the many definitions of “corporate fiction,” Di Leo, editor of the American Book Review, offers some insights into the new economics of digital publishing and how ABR’s recent decision to partner with ProjectMuse ended the “online poaching” of the magazine’s content.

Precarity or Normalization? Yes, Please! A Review of Isabell Lorey’s State of Insecurity: Government of the Precarious

Emilio E Feijóo

2017-04-02

In this review, three social conditions of the Precarious (“precariousness, precarity, and (governmental) precarization”) are described. Furthermore, the neo-liberalist use of self-regulation as a means to exert control over individuals is exposed. The possibility to turn precarity into “a form of political mobilization,” as suggested by Lorey, is also explored.

Back to the Book: Tempest and Funkhouser’s Retro Translations

Jeneen Naji

2017-04-02

Jeneen Naji describes Chris Funkhouser’s Press Again and Sonny Rae Tempest’s Famicommunist Poetics as examples of “the UnderAcademy style” begun by Talan Memmott. At the same time, within the context of post-digital publication, Naji explores concepts like “transcreation” and “translation” insofar as the two digital practitioners have conveyed experimental e-texts into print.