electropoetics

In this review, Manuel Portela considers Matthew G. Kirschenbaum's Track Changes in light of a "general computerization of the modes of production of writing."

Jen Phillis situates Jessica Pressman's Digital Modernism: Making It New in New Media as a rejoinder to "Neoliberal Tools (and Archives)" by David Allington, Sarah Brouillete, and David Golumbia.

Bernard Stiegler's "Relational Ecology and the Digital Pharmakon."

Katherine Hayles, Hyper and Deep Attention: http://www.jstor.org/stable/25595866?seq=1&cid=pdf-reference#references_tab_contents

In Pasts and Futures of Netprov, Rob Wittig articlates a theory for Networked Improv Narratives, or "Netprovs." Wittig, an innovator in this novel form, situates netprov at the interesection of literature, drama, mass media, games, and new media. Transcribed from a presentation given at the Electronic Literature Organization conference in Morgantown, WV, Wittig explores a number of antecedents to the form, documents current exemplars of this practice, and invites readers to create their own networked improvisations.