first person

Eastgate Systems alumns Diane Greco and Mark Bernstein explain two "exotic tools for hypertext narrative."

Techno-poet Stephanie Strickland surveys the digital artistic practices of her peers and presents a "paradigm for interaction."

Choosing between James Joyce and Stephen King means choosing between engagement and immersion. Or does it?

Who says hypertext readers have more brains than gamers? Not Henry Jenkins.

J. Yellowlees Douglas and Andrew Hargadon on the affective side of hypertexts via "schemas, scripts, and the fifth business."

Markku Eskelinen reiterates the bounds of ludology.

Matthew Kirschenbaum rethinks the final section of First Person in light of "five basic strategies for furthering the history of reading."

It's "Game Time." Here in section four we see what the dynamics of time and space have to do with the games people play.

Henry Jenkins uses narrative space to distinguish between different tale-ends.

Jesper Juul maps the "flow" state of gameplay onto innerspace and elsewhere.