Michael Hardt and Antonio Negri: Irreducible Innovation
William Smith WilsonWilliam Smith Wilson injects the transcendentals of aesthetic illusions into Hardt and Negri's immanent materialism.
The Exemptions of Beauty
William Smith WilsonWilliam Smith Wilson builds on his earlier ebr essay, "The End of Exemptions of Beauty," with this companion piece.
Peter Hare’s response to Lori Emerson
Peter HarePeter Hare responds to Lori Emerson's review of Walter Benn Michaels.
The Machinic Multitude
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Nick Spencer argues that the multitude is machinic, even without machines.
‘Is it Possible Not to Love Žižek?’ on Slavoj Žižek’s Missed Encounter with Deleuze
Hanjo BerressemHanjo Berressem provides both fast-forward and slow-motion readings of Slavoj Žižek's Organs without Bodies: On Deleuze and Consequences.
Putting the Brakes on the Žižek Machine
Eric Dean RasmussenEric Dean Rasmussen traces the contours of Hanjo Berressem's rigorous, bi-tempo reading of Organs without Bodies, which finds Žižek's philosophical buggering of Deleuze to be wanting.
What Would Žižek Do? Redeeming Christianity’s Perverse Core
Eric Dean RasmussenJokes play a fundamental role in Slavoj Žižek's philosophizing. Is Žižek joking when he extols the virtues of Christianity to the Left? Eric Dean Rasmussen analyzes Žižek's pro-Christian proselytizing as attacks on modes of PC-ness - political correctness and perverse Christianity - that sustain an undesirable neoliberalism.
Privileging Language: The Text in Electronic Writing
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Now that the First Person essay collection is complete and the case has been made for computer games as a form of narrative, Brian Kim Stefans asks the fundamental questions - concerning what can be read as literature, and what really cannot.
Bass Resonance
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1999 e-literature award winner John Cayley writes about Saul Bass of classic film title fame. A precursor to language arts innovators Jenny Holzer, Richard Kostelanetz, and Cayley himself, Bass may now be recognized as a poet in his own 'write,' important for a new generation of designwriters creating "graphic bodies of language," moving words and signifying images, in digital environments.
First Person, Games, and the Place of Electronic Literature
Scott RettbergScott Rettberg, responding to "The Pixel/The Line" (section 4 of First Person) wonders whether electronic writing isn't evolving into a subspecies of electronic art, one that uses words as material, 'just as sculptors use clay.'
Sandy Baldwin’s response to Lori Emerson
Sandy BaldwinSandy Baldwin responds to Lori Emerson.
Chris Stroffolino’s response to Lori Emerson
Chris StroffolinoChris Stroffolino responds to Lori Emerson
On Materialities, Meanings, and The Shape of Things
Lori EmersonLori Emerson reviews The Shape of the Signifier by Walter Benn Michaels.
John Cayley’s response
John Cayley"Playing with play," John Cayley sets ludology on an even playing field with literature, but without literary scholarship's over-reliance on 'story,' 'closure,' and 'pleasure.'
Feminism, Geography, and Chandra Mohanty
Julie CupplesJulie Cupples reviews a retrospective collection of essays by Chandra Mohanty on the geopolitics of gender and race.