Search results for "display/tomasula"
| Results 81 - 90 of 250
|
Page 9 of 25
|
|
Sorted by: Date | Sort by: Relevance
|
Results per-page: 10 | 20 | 50 | All
|
Things live only on the basis of their disappearance, and, if one wishes to interpret them with entire lucidity, one must do so as a function of their disappearance. (Baudrillard, Why Hasn’t Everything Already Disappeared? 31) The use of the past tense in the central theme of this issue – “what in the world was postmodernism?” – implies that postmodernism has disappeared from the landscape of contemporary literary, critical, artistic, and philosophical practice. While previous articles in this collection chronicle the emergence of postmodernism and how it came to disappear, this article asks what we can learn from its disappearance. […]
The aim of this little volume is, as far as may be, to translate into verse what the lines and colours of certain chosen pictures sing in themselves; to express not so much what these pictures are to the poet, but rather what poetry they objectively incarnate. Such an attempt demands patient, continuous sight as pure as the gazer can refine it of theory, fancies, or his mere subjective enjoyment. —Michael Field (Katherine Bradley and Edith Cooper), preface to Sight and Song, 1892 After the author is gone and the page is gone, what is left but for the poet […]
A book is a sequence of spaces. Each of these spaces is perceived at a different moment-a book is also a sequence of moments… A book is a space-time sequence. – Ulises Carrión. The New Art of Making Books Ulises Carrión, A Comparative Media Theorist On the verge of becoming a canonical figure in Mexican literature amidst the larger context of the Latin American literary scene of the second half of the 20th century, Ulises Carrión broke apart from the mainstream of literary production. Having written two novels published in the early 1970s and relocated in Europe, Carrión began a […]
Despite concentrated critical analysis spanning two decades (or more, depending on who you ask), videogames still have a legitimacy problem. Critics have only in the recent past made the case for videogames as culturally legitimate pieces worthy of academic study, and predictably, the form’s previous stigmas – deserved or otherwise – have carried into the debate over its place in the art world and the academy. For example, an article on the University of Southern California’s videogame design graduate program’s recent influx of women students focuses on the benefits that this demographic shift may have vis-à-vis the ubiquitous expectation of […]
Fig. 1 Screenshot of the ESG MalwareTracker Worldwide Infection Map One glance at the ESG MalwareTracker (fig. 1) is enough to make one’s skin crawl. Borrowing a visual strategy from epidemiology, MalwareTracker uses a map to depict computer virus infections worldwide. The map is dotted with red insects with shiny bulbous bodies that appear to be sized in proportion to the number of infections in a location. There are only three discernible sizes, representing 11 suspected infections at the low end (Cape Verde), up to 1.7 million at the high end (the United States). Each country has just one insect […]
[…]
John Bruni’s review raises a number of important questions about what I’d still be inclined to call an emergent and major theoretical paradigm, namely posthumanism. In Posthumanism: A Critical Analysis (Bloomsbury 2013—an updated translation of my Posthumanismus—Eine kritische Einführung, Wissenschaftliche Buchgesellschaft 2009) I argued that the best way to understand the phenomenon of posthumanism is by looking at it as a discourse (more or less in a Foucauldian sense). Everything that directly or indirectly says something about the “posthuman,” including the no-longer-quite- and the more-than-human, constitutes the disputed object of that discourse (comprising all sorts of texts, practices, subjects, institutions, […]
This essay appears previously in the proceedings of the Universities of Paris 8 conference “Translating E-Literature/Traduire la littérature numérique.” Practices and theories of translation are situated at a crucial position in the domain of the practices and theories of language. We are comfortable with distinguishing practices of language whose systematic differences allow us to say that the users of languages in which they are separately competent are, nonetheless, “mutually unintelligible” to one another, and so we may say that they are using different, distinct languages. However, certain practitioners may be proficient in any number of such languages and they may […]
Thing-power perhaps has the rhetorical advantage of calling to mind a childhood sense of the world as filled with all sorts of animate beings, some human, some not, some organic, some not. It draws attention to an efficacy of objects in excess of the human meanings, designs, or purposes they express or serve. (Bennett 20) This is an essay to be taken with a child’s, or Gilles Deleuze’s, naïveté. To those who fail to find such thinking sufficiently serious, take heed—you may well find yourself neatly aligned with The Lego Movie’s antagonist, Lord Business (Will Ferrell), who is also the […]
Review of Timothy Morton’s Hyperobjects: Philosophy and Ecology after the End of the World. University of Minnesota Press, 2013. The posthumanist turn in recent theory and cultural studies continues apace. Posthumanism, briefly, is in general the effort to challenge and even displace the vestiges of anthropocentrism that persist within the conceptual regimes of the human sciences. In this, it follows a series of sustained and by now familiar decenterings of certain privileged subject positions: the postcolonial decentering of a certain Western subjectivity, or the queer decentering of a certain heteronormative subjectivity, for instance. Posthumanism wishes to go further, however, and […]