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digital futures of literature, theory, criticism, and the arts

de Certeau

Wiring John Cage: Silence as a Global Sound System

Sandy Baldwin on music in the new media ecology.

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other essays by
Sandy Baldwin

Against Digital Poetics

Art, Empire, Industry: The Importance of Eduardo Kac

Editing Electronic Literature Scholarship in the Global Publishing System

Ping Poetics

Sandy Baldwin’s response to Lori Emerson

musicsoundnoise:

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Sublime Frequencies’ Ethnopsychedelic Montages

by Marcus Boon

Responding to Kermani’s “Wak Auf.”

by Skip Laplante

‘I am a Recording Angel’: Jack Kerouac’s Visions of Cody and the Recording Process

by James Riley

from the archive

Back to the Book: Tempest and Funkhouser’s Retro Translations

by Jeneen Naji

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ebr is an online, open access, peer-reviewed journal of critical writing produced and published by the emergent digital literary network.

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fictions present
first person
technocapitalism
writing (post)feminism
electropoetics
internet nation
critical ecologies
webarts
end construction
image + narrative
music/sound/noise
writing under constraint

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Electronic Book Review (ebr ) is an online, open access, peer-reviewed journal of critical writing produced and published by the emergent digital literary network.

ISSN: 1553-1139

© 2018
ebr is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.