film
Jan van Looy reviews Silvio Gaggi on hypertext fiction up to the early '90s.
Chris Messenger achieves a rare convergence of elite and popular cultural criticism by doing for The Godfather (and its spinoffs) what previous critics have done for Uncle Tom's Cabin.
In response to Perlin, Victoria Vesna reiterates the unique realism of games.
Elyce Helford frames Tank Girl as a portrait of the postfeminist woman: hyper-individualist and hyper-sexual - a woman who is quite comfortable in popular cinema but not so much so in reality.