Jacques Derrida
When You Can’t Believe Your Eyes: Voice, Vision, and the Prosthetic Subject in Dancer in the Dark
Cary Wolfe investigates why the reviewers were so rattled by the Lars von Trier film, and in the process puts Jacques Derrida, Stanley Cavell, Slavoj Zizek, and Judith Butler into conversation.
Approaches to Interactive Text and Recombinant Poetics
In this series of "media-element field explorations," Bill Seaman suggests configurations for the shape of the virtual artist-author to come.
Diane Gromala’s response (excerpt)
Derrida's territory - "discontinuities, contradictions, ambiguities, materiality, silence, space, conflict, margins, and figures" - is Bill Seaman's, as Diane Gromala notes.
Ian Bogost’s response to Critical Simulation
Ian Bogost, the co-designer of The Howard Dean for Iowa Game (along with First Person contributor Gonzalo Frasca), deconstructs section three.