Katherine Hayles
Simon Penny responds in turn
Simon Penny recalls that the origins of the human-computer interface, politicized by a military heritage, are now explored by artist-enigineers who chaperone fragmentation and dissent.
Moving Through Me as I Move
Techno-poet Stephanie Strickland surveys the digital artistic practices of her peers and presents a "paradigm for interaction."
Unusual Positions
Camille Utterback exposits "embodied interaction with symbolic spaces" – the body and language of digital art.
Notes Toward a Proleptic History of Electronic Reading
Matthew Kirschenbaum rethinks the final section of First Person in light of "five basic strategies for furthering the history of reading."