• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to secondary sidebar
  • Skip to footer

electronic book review

  • about ebr
  • policies and submissions
  • subscribe
  • Essays
  • Gatherings
  • newsletter
  • Log In

digital futures of literature, theory, criticism, and the arts

logic

The Code is not the Text (Unless It Is the Text)

An argument against the collapse of categories by an author who has, yes, himself perpetrated a few codeworks.

Primary Sidebar

other essays by 222
John Cayley
At a Heightened Level of Intensity: A Discussion of the Philosophy and Politics of Language in John Cayley’s Digital Poetics
Aurature at the End(s) of Electronic Literature
Bass Resonance
Beginning with “The Image” in How It Is when translating certain processes of digital language art
Grammalepsy: An Introduction
electropoetics:
Other Essays in
No items found
Literature in a State of Emergency
by Davin Heckman
Accretive Dreams, Junk Narrativity, & Orphaned Excess in Moderation
When Error Rates Fail: Digital Humanities Concepts as a Guide for Electronic Literature Research
by Noah Wardrip-Fruin
from the archive
A New “Gospel of the Three Dimensions”: Expanding the Boundaries of Digital Literature in Jörgen Schäfer and Peter Gendolla’s Beyond the Screen
by Lisa Swanstrom

Secondary Sidebar

ebr is an online, open access, peer-reviewed journal of critical writing produced and published by the emergent digital literary network.

  • subscribe to ebr
  • fictions present
  • first person
  • technocapitalism
  • writing (post)feminism
  • electropoetics
  • internet nation
  • critical ecologies
  • webarts
  • end construction
  • image + narrative
  • music/sound/noise
  • writing under constraint
  • Email
  • Facebook
  • Twitter

Footer

  • Email
  • Facebook
  • Twitter

Electronic Book Review (ebr ) is an online, open access, peer-reviewed journal of critical writing produced and published by the emergent digital literary network.

ISSN: 1553-1139

© 2018
ebr is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.