The Digital Review is a new bi-annual online journal of digital writing with a focus on the born-digital essay. Each theme-based issue will offer a curated combination of commissioned work, submitted work, restored past work and re-designed public domain work.
For more information and how to submit, please visit the Call for Submissions
All of the spaces collapsing: an interview with xtine burrough
In a series of interviews led in February and March 2021, Nacher, Pold and Rettberg examined how contemporary digital art and electronic literature responded to the pandemic. Their project on COVID and electronic literature was funded by DARIAH-EU and resulted in the exhibition prepared for the ELO 2021 Conference & Festival and the documentary film that premiered in June 2021 at the Oslo Poesiefilm Festival. xtine burrough is one of the creators of 13 works that were interviewed for the project. She generously shares her thoughts on life and creativity, collapsing spaces and the meaning of a domestic art practice during the pandemic.
Review: Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing As Contemporary Art, ed. Steve Tomasula. Alabama UP, 2022
Where Tomasula (in his own words) makes “no attempt to historicize the field,” preferring to offer “a snapshot” of a vibrant body of conceptual literary art, Gonzalez in this review arrogates the position Tomasula passes on, and proposes that the many texts in Tomasula's "immensely rewarding" anthology continue in the spirit of postmodern literary forms and show the continuing potency of the postmodern toolbox.
Platforms,Tools and the Vernacular Imaginary
After having lived through three generations of electronic literature, and having experienced pre-web, web, and post-web literary periods, Will Luers takes a step back and advocates an "independent digital culture" in which literary artists might explore "a reality between language and the ineffable (be it artistic, religious or secular)." A mixture of technics and magics, we may be approaching a fourth generation of e-lit that is closer to pre-industrial folklore than it is to our present, technically managed space for individual and collective "creativity."
Gathering Critical Code Studies Working Group 2020
This special gathering collects reflections of the Critical Code Studies Working Group 2020 (CCSWG ‘20), a biannual meeting to explore the intersections of humanistic inquiry and computer code studies. Coordinated by Mark Marino (USC), Jeremy Douglass (UCSB), and Zach Mann (USC), the 2020 Working Group was held online from January 20 to February 3. It brought together more than 150 participants from around the world to share ideas, populating dozens of discussion threads with hundreds of comments, critiques, and critical readings. The need to attend to code could not be more urgent. Code exert… continue
Third Generation Electronic Literature and Artisanal Interfaces: Resistance in the Materials
What is the role of hand-crafted literary interfaces in a world of memes and bots? Kathi Inman Berens examines five recent books that address literary interfaces and applies pressure to the definition of "third generation electronic literature," exploring the role of code and intention in e-lit authorship.
The Politics of Plasticity: Neoliberalism and the Digital Text
In this essay, Davin Heckman argues that works of electronic literature often provide occasions for cultivating attention in a mutable cultural landscape. Through readings of John Cayley, YHCHI, Rob Wittig, and Richard Holeton, Heckman points to a poetics of technical estrangement by which new media is opened up to deliberative reading, and thus presents contemporary readers with the opportunity to develop critical practices appropriate for the conditions of neoliberalism.