writing (post)feminism

"Rather than gathering in the South Ballroom for the plenary, we read into gardens, playrooms, cars, stores, home offices, and kitchen tables. These sites are not homey, though, in any Palmolive way." Bill Stobb reviews a collection of writers who consider the complexities of artmaking and motherhood.

Elyce Helford frames Tank Girl as a portrait of the postfeminist woman: hyper-individualist and hyper-sexual - a woman who is quite comfortable in popular cinema but not so much so in reality.

Judy Malloy on the voice of female narrators.

Lance Olsen reviews Shelley Jackson's first print collection.

Martha Henn reviews Technologies of the Gendered Body: Reading Cyborg Women by Anne Balsamo

Diane Goodman on the anthology that helped put the term "postfeminism" into circulation.

Lidia Yukman describes the experience of teaching people of differing backgrounds.

Elisabeth Sheffield on the implications of the anthology that helped to put the term "postfeminsim" into circulation.

Dodie Bellamy gets to the "dirty parts" of contemporary fiction.

Todd E. Napolitano on the kitsch of on-line journals, most of which have flashed and disappeared since they were panned here, in the Fall 1996 ebr.