Gloss on Pinocchio’s Piccolo, or, How Tristram Shandy Got It Straight: Searching in Raymond Federman’s Body Shards

Even the photograph complementing this section does not show Federman’s private part, but invites private imaginations to visualize what is covered up by Federman’s cupped hands.

Even the photograph complementing this section does not show Federman’s private part, but invites private imaginations to visualize what is covered up by Federman’s cupped hands.