Gloss on The King and I: Elvis and the Post-Mortem or A Discontinuous Narrative in Several Media (On the Way to Hypertext)

Larry McCaffery writes of Elvis as a montage-artist in his ebr essay “White Noise/White Heat” on the postmodern in rock ‘n roll: he instinctively combined various American musical idioms (black gospel, blues and rhythm-and-blues, and white country-and-western) into a distinctively new form.

Larry McCaffery writes of Elvis as a montage-artist in his ebr essay “White Noise/White Heat” on the postmodern in rock ‘n roll: he instinctively combined various American musical idioms (black gospel, blues and rhythm-and-blues, and white country-and-western) into a distinctively new form.