Speaking of dispersed, technology’s redefinition of the contours of quotidian existence is also a subject of Swigart’s earlier story, Dispersion. Speaking of dispersed, technology’s redefinition of the contours of quotidian existence is also a subject of Swigart’s earlier story, Dispersion.

In his short story Dispersion, Swigart describes a quasi-supernatural phenomenon that evokes the link between biological and technological evolution.

Swigart discusses literal ecological fragility in his essay Not Just a River.

In his essay, Satisfying Ambiguity, Swigart points to Victor Fleming’s 1939 film adaptation of L. Frank Baum’s Oz novels as an example of the use of color to organize knowledge. In his essay, Satisfying Ambiguity, Swigart points to Victor Fleming’s 1939 film adaptation of L. Frank Baum’s Oz novels as an example of the use of color to organize knowledge.

In her review of McGann’s book Radiant Textuality, Katherine Acheson argues that the usability and graphic quality of McGann’s interface designs have thus far not lived up to the high ambitions of these projects. She suggests that a redesign would be necessary before digital humanities scholarship can become a viable alternative to traditional scholarly publishing.