David Zauhar’s essay “Perloff in the Nineties” reviews, among her other works, Wittgenstein’s Ladder – a work which he claims is at least partly about how certain novelists and poets undertake projects that Wittgenstein himself appropriated for philosophy. David Zauhar’s essay “Perloff in the Nineties” reviews, among her other works, Wittgenstein’s Ladder – a work which he claims is at least partly about how certain novelists and poets undertake projects that Wittgenstein himself appropriated for philosophy.

ebr contributors Diane Goodman and Elisa Sheffield write of the postfeminist fiction anthology Chick-Lit – an anthology which also aims, as Neigh writes, to disrupt normative definitions of narrative. ebr contributors Diane Goodman and Elisa Sheffield write of the postfeminist fiction anthology Chick-Lit – an anthology which also aims, as Neigh writes, to disrupt normative definitions of narrative.

In her recent essay “Robert Creeley’s Radical Poetics,” Marjorie Perloff similarly explores the unsettling and so threatening language of Robert Creeley, with whom Raworth has long been associated.

John Matthias’ review of five different British poetry anthologies (“British Poetry at Y2K”) provides a larger context for the work of O’Sullivan, Raworth, and Fisher.

Bernstein’s “Electronic Pies in the Poetry Skies” is a companion piece of sorts – exploring instead the freedoms|restrictions inherent to the space of the internet.