Gloss on Life Sentences for the New America
Lori Emerson
October 29, 2006
P:nth-child(6)
This issue of autobiography is related to the way in which Jean Genet’s autobiography operates; see Tim Keane’s essay “Entre Chien et Loup.”
Gloss on An Interview with Harry Mathews
Lori Emerson
October 29, 2006
P:nth-child(27)
See Paul Harris’s essay “Harry Mathews’s Al Gore Rhythms: A Re-viewing of Tlooth, Cigarettes, and The Journalist” in which he rediscovers the senior American member of Oulipo on the occasion of three reprints from The Dalkey Archive Press. See Paul Harris’s essay “Harry Mathews’s Al Gore Rhythms: A Re-viewing of Tlooth, Cigarettes, and The Journalist” in which he rediscovers the senior American member of Oulipo on the occasion of three reprints from The Dalkey Archive Press.
Gloss on The Riddling Effect: Rules and Unruliness in the Work of Harry Mathews
Lori Emerson
October 29, 2006
P:nth-child(9)
See Paul Harris’s essay “Harry Mathews’s Al Gore Rhythms: A Re-viewing of Tlooth, Cigarettes, and The Journalist” in which he rediscovers the senior American member of Oulipo on the occasion of three reprints from The Dalkey Archive Press. See Paul Harris’s essay “Harry Mathews’s Al Gore Rhythms: A Re-viewing of Tlooth, Cigarettes, and The Journalist” in which he rediscovers the senior American member of Oulipo on the occasion of three reprints from The Dalkey Archive Press.
Gloss on Do Androids Dream of Electric Mothers?
Lori Emerson
November 29, 2006
P:nth-child(1)
Linda Brigham has also written a review of Hayles’ How We Became Posthuman. Linda Brigham has also written a review of Hayles’ How We Became Posthuman.
Gloss on Pinocchio’s Piccolo, or, How Tristram Shandy Got It Straight: Searching in Raymond Federman’s Body Shards
Lori Emerson
October 4, 2006
P:nth-child(18)
See our review-essay on the 2005 &Now Conference in which Ted Pelton addresses the difficulty of getting experimental writing published in the U.S. See our review-essay on the 2005 &Now Conference in which Ted Pelton addresses the difficulty of getting experimental writing published in the U.S.