In “Interferences: [Net.Writing] and the Practice of Codework,” Rita Raley analyzes the poetics of Mez’s “neologistic net.wurked language… m[ez]ang.elle,” which incorporates “made-up code language as a mode of artistic composition and everyday […]
This essay is a general introduction to a series on Critical Code Studies distilled from a six week online discussion. As each week is published on ebr, it will be indexed here. Week 1: Introduction Discussion Week 2: Introduction Discussion Week […]
This essay is part of a series on Critical Code Studies distilled from a six week online discussion. As each week is published on ebr, it will be indexed here. Week 1: Introduction by Mark Marino Discussion This essay is part of a series on Critical Code Studies distilled from a six week online discussion. As each week is published on ebr, it will be indexed here. Week 1: Introduction by Mark Marino […]
In Critical Environments, Wolfe also explores the theoretical and pragmatic similarities and differences between Luhmannian systems theory and contemporary Marxist philosophy. On pages 147-149, his theoretical sympathies with Luhmann and his political sympathies with Fredric Jameson seem to pull him in opposite, perhaps contradictory […]
Wolfe’s critical engagement with music goes back at least to 2001, when he co-edited an ebr […]
For more on the Critical Code Studies Conference, co-organized by Mark Marino, see the series of essays and discussions posted under ebr‘s First Person […]
For an earlier consideration of the state of Pynchon studies, also appearing in ebr, see Joseph Tabbi’s “The Pyndustry in […]
[…]the editorship of Stacy Alaimo, who encourages inquiry and debate on new materialisms, animal studies, posthumanism, and science […]
[…]at ebr/altx, we’re ready to put an end to the construction of periodical issues. Instead of working within an unconsidered paradigm inherited from print media, the ebr editors intend to construct our own ends, over time and on terms that we set for ourselves (within the constraints of the web […]
For many who are committed to working in electronic environments, an electronic “review” might better be named a “retrospective,” a mere scholarly commemoration of a phenomenon that is passing. There’s a technological subtext to the declining prestige of authors and literary canons. To bring that subtext to the surface will be part of ebr’s […]