Search results for "critical%20code%20studies%20working%20group"
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[…]scholars who can add their own entries and further annotate the existing ones from our MLA group. Not least, networked media are used at the point where in-depth scholarly work today is done, not in 20-minute presentations at over priced, climate controlled rooms using proprietary technology whose requirements, more often than not, distract from the written and visual concepts being presented. The majority of annotations contributed by our panelists continue, not surprisingly, to reference books in print. Where websites are referenced, however, these are not just presented as links but, using the database designed by ebr site architect Ewan Branda, […]
[…]also animated the scientistic wing of the culture wars, which have combined with bona fide science studies to remind us how inextricably entangled the lines between physical, natural, social, and philosophical ideas and convictions have become, or for that matter, have always been. Here, too, religion and politics still thrash about like many-armed creatures of the deep perpetually locked in mortal struggle. In particular, the psychosocial consequences of evolutionary biological discourse continue to be wrangled over by the “neo-Darwinist” advocates of sociobiology and its cognitive sibling, evolutionary psychology, on the one hand, and the “post-Darwinist” challengers to adaptationist evolutionary dogmas, […]
[…]throughout the book is, what if the future of the university is a future without cultural studies? What if cultural studies has no future? For all the earlier insistence upon rethinking the University, about not prejudging or determining its future iterations, the one thing that seems without question is that cultural studies will/should have a role. Cultural studies seems to serve here as the place of “justice,” that which is beyond critique. In the end I remained unconvinced of the centrality of this discipline; perhaps the future University has no disciplines, as Mark Taylor suggests, or at least none that […]
[…]the first two, the sociologist or historian of literature cannot be sure of the object he or she studies. What anyone calls the institutionalization of literature could turn out to be a fraud. Honda produces cars, but who can say whether any creative writing program produces literature? Criticism is the discipline of uncovering rational bases for saying it, and sociological and historical explanation, if they are to be coherent, necessarily presupposes criticism. This raises a fundamental question of whether McGurl, Lennon, and Glass are, in fact, talking about what someone concerned about the present of literature is concerned about. Every […]
[…]more and more towards the idea that artists had to start becoming ecologists, they had to start working with scientists, and they had to start working with people who had done mining, strip mining, coal mining. So, he spent the last couple years of his life writing to many different companies, including the Bingham Copper Mine to turn disused areas – these areas that had been marked by humans and then marked as waste – into artworks. He saw that as one way that he could make a real serious impact. By writing to everybody and then advertising the fact […]
[…]text, adopting – as in this essay – a version of that text’s constraint in his own critical writing. Not an impossible constraint, but an insistent one. Cumulatively, characters and events come to be defined by what they are not, as in this description of the housewife Susan Griffin: “the cut of her clothes wasn’t so domestic that a guy didn’t want to keep looking at her” (147). Each negation, in addition to asserting that something is not the case, also implicitly asserts Nufer’s allegiance to writing under conditions of deprivation and duress. Like an ascetic, he will not permit […]
[…]Author, “I had lost an entire African legacy including invaluable diagrams and cuneiform code books” (121). A German logician called Ludwig claims, approximately: linguistic limits demarcate an I’s entire available extra-linguistic domain, an I’s imaginative and earthly habitat. Do arbitrary, astringent linguistic boundaries also limn a distinct atmosphere? A cosmos? M: Maps. Alphabetical Africa frequently mentions maps, but does not contain many maps for inexperienced adventurers. Geographical hot-spots are mentioned, as are African continent’s disappearing landmass. Blueprints and drawings, however, are entirely absent. A book-incident map – charting characters, actions, events, etc. – could be infinitely helpful. Maybe I can […]
[…]is a kind of hyper-rational way of winning the game) * Madoff’s two chief programmers played a critical role in his own huge “Ponzi scheme,” not because they wrote programs, but because “they used their special computer skills to create sophisticated, credible and entirely phony trading records that were critical to the success of Madoff’s scheme” (“Madoff’s Former IT Experts Arrested”) * I put “Ponzi scheme” in quotation marks because it’s now clear that much of the entire market bubble was due to a different kind of computational deception. As Frontline recently reported, CFTC Chair Brooksley Born alerted Congress to […]
[…]play. Who is the implied spectator – what is the subject position for which Canyonlands codes? A witness perhaps. A silent witness, passive in her frozen inertia; perhaps a widow of the canyon, a grief stricken witness. This witness is unable to think, unable even to bear witness, perhaps, since the ekphrastic intensity of image and sound allow no space for her. She is crushed to a one-dimensional line between the superego of the desert and its dry voice of judgment, and the id of the capitalist enjoyment machine. There it is, unfolding onscreen, in all its terrible beauty and […]
[…]concepts (such as “postmodern” and “simulation”) which are in danger of degenerating from critical clarity into cliché. The scope of Punday’s argument is striking, as he ranges an analytical alphabet from Adorno to Žižek, and employs diverse and difficult critical concepts with remarkable clarity and fluency. However, there are certain points where the centrifugal forces and ambitions of the analysis appear to strain at the limits of the restrictive structuring motif. For example, although the grouping of Walker and Warhol under the archive heading highlights certain salient parallels between their respective projects, the absence of any commentary on their markedly […]