Search results for "critical%20code%20studies%20working%20group"
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[…]the use of the term “person” in language studies does not correspond to its use in visual studies. Most games studies discussions use “person” in the visual style, corresponding to the viewpoint of the player. The first-person camera is the most immediate, providing a view from the eyes of the avatar with little more than a hand of the avatar-self encroaching on the image. The third person camera is more mediated and distancing, in that the separate self of Lara Croft or Master Chief is displayed on screen and followed through the game world by a cinematic crane shot. The […]
[…]our clever regimes? Or to turn the lens outward, how can we continue to satisfy that irresistible critical impulse, situating ourselves within a moment, a history, and a history of resistance? How can the calling of the writer be responsible to a common experience that seems increasingly consumed by war, catastrophe, and indeed revolution, however we choose to define that most slippery term? As always, questions are the simple part. Answers come harder, and as I have previously apologized, this piece is far too easy. The remarks that follow come at these big questions only in dim and cursory ways, […]
[…]in such broader systems. In spite of his focus on postmodern fiction, LeClair thus situated his critical perspective and eventual novelistic aesthetic within a tradition of critical realism stretching back to Georg Lukács. Whatever metafictional games or linguistic play the author engages in, the purpose of the systems novel is to enable the reader to connect his or her personal problems to world-historical economic, ecological and social processes. However, for much of Passing On, Terminal Tours seems to close off, rather than enable this perspective. This is, after all, a novel about a series of relatively privileged middle-class Americans struggling […]
[…]writer seems to be much recognized in green literary circles. More than anything this lack of ecocritical attention results from their respective writing styles and critical focus. Both writers are particularly concerned with literary formalism, giving prominent consideration to textual techniques that enlist the reader in consideration of language as much as the physical world. Such aesthetics are anathema to traditional nature writers and critics who have seen postmodern textual experimentation as dangerously disconnected and symptomatic of our alienation from the natural world. Indeed, the resurgence in nature writing and the relatively new field of ecocriticism has been labeled as […]
[…]The emphasis on the doubling of utopia in the following comments is meant to highlight points of critical convergence and divergence among these and other doubles that continue to permeate utopian critical discourse. Since it can generate new and timely perspectives on the relation between politics and culture, the assessment of these doubled relations is one of the most fruitful ways forward in considerations of the politics of literary and cultural texts. II. By writing about utopia’s textual double, the manifesto, Martin Puchner’s Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes provides a useful means of approach to the […]
[…]that are the foundation of computational expression’ in their forthcoming series on Platform Studies. See link below. or a critical reflection on how one studies games through practice. Instead, this implementation of CTP reflects on some of the meta-communication challenges designer-academics face: how their insights are communicated and interpreted. These ruminations begin with a consideration of these issues in McGonigal’s essay, and then progress with general and at times personal reflections on the topic. Perception & Application All research is in some way an articulation of the world view of the researcher, but when we witness an articulation of a […]
[…]studio: 24.00 Dinner and taxis would have been for six, but I passed on the food and let the group go on without me to the Zhou brothers’ loft on the South Side. Daniel’s invitation said, Black Tie “optional,” but the Wicker Park group were received kindly in their jeans and work shirts. Zhou bros. were happy to have “real people” show up. Nothing here of the art world politics in a Woody Allen movie. The curators know their work; the artists know their own worth. Politics, though present, is neither paranoid nor pushy. Fortunately for Daniel, his new friend […]
[…]new form of behavior. Bogost even uses the idea of unit operations to try to address how game studies should be positioned in academic disciplines, agitating for interaction between the study of videogames and the study of other creative disciplines. This attempt to situate game studies among the humanities is in reaction to those schools of videogame study which are functionalist (thus preoccupied chiefly with the way games work rather than with their expressive potential) and exclusive. While Bogost may have a point here, trying to tell academic departments how to organize themselves is a little like showing cats a […]
[…]And thinkers from Lawrence Lessig to William Mitchell have emphasized the authoritative role of code and coders in cyberspace, paving the way for a new form of elitism. There are others, hackers and gamers among them, who cultivate elitist enclaves that are exclusive to network culture. The same network culture has given rise to its own supra-national language: “Leetspeak” or “Leet.” Arguably more cipher or code than language, Leetspeak uses combinations of the ASCII character set in place of letters, and the substitution bears a visual resemblance; LEET, for example, is rendered as “1337,” and the language goes by this […]
[…]effectivity can be a trap, particularly if scholars imagine self-reflexivity, understood as a critical distance toward one’s subject position and critical judgments, to be a mode of political resistance. Literature inevitably falls short when it’s evaluated primarily as political discourse, and critics waste energy on moralistic hand wringing when they assess fictional texts by the same representational criteria as they would a piece of investigative reporting, an op-ed essay, or a piece of legislation. Fictions, by definition, don’t refer to self-same world in which readers actually exist. They project virtual worlds, materialized in words, which readers actualize through acts of […]