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autobiography

Pinocchio’s Piccolo, or, How Tristram Shandy Got It Straight: Searching in Raymond Federman’s Body Shards

Michael Wutz writes of how, in Raymond Federman's My Body in Nine Parts, body parts are represented as having registered, inscribed, contributed to Federman's life.

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For a related essay that argues in support of Federman as a political thinker, see Jan Baetans’ review of Larry McCaffery’s Federman A to X-X-X-X: A Recyclopedic Narrative.

For a related essay that argues in support of Federman as a political thinker, see Jan Baetans’ review of Larry McCaffery’s Federman A to X-X-X-X: A Recyclopedic Narrative.

‐ Lori Emerson

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Even the photograph complementing this section does not show Federman’s private part, but invites private imaginations to visualize what is covered up by Federman’s cupped hands.

Even the photograph complementing this section does not show Federman’s private part, but invites private imaginations to visualize what is covered up by Federman’s cupped hands.

‐ Lori Emerson

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See our review-essay on the 2005 &Now Conference in which Ted Pelton addresses the difficulty of getting experimental writing published in the U.S.

See our review-essay on the 2005 &Now Conference in which Ted Pelton addresses the difficulty of getting experimental writing published in the U.S.

‐ Lori Emerson

autobiography

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