• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to secondary sidebar
  • Skip to footer

electronic book review

  • about ebr
  • policies and submissions
  • subscribe
  • Essays
  • Gatherings
  • newsletter
  • login

digital futures of literature, theory, criticism, and the arts

New Media Order

Electronic Books?

Primary Sidebar

other essays by
Stuart Moulthrop
Pax, Writing, and Change
Being the Asterisk: Noah Wardrip-Fruin and the Future of Game Studies
Electronic Books?
Erroneous Assumptions: Steve Tomasula’s Ascension
For Thee: A Response to Alice Bell
other essays in
Joyce, Moulthrop, Jackson
PMC editor Stuart Moulthrop responds
by Stuart Moulthrop
Electronic Books?
by Stuart Moulthrop
The Pleasure (and Pain) of Link Poetics
by Scott Rettberg
Reviewing the Reviewers of Literary Hypertexts
Of Tea Cozy and Link
by Marjorie C. Luesebrink
electropoetics:
Other Essays in
No items found
Convergent Devices, Dissonant Genres: Tracking the “Future” of Electronic Literature on the iPad
by Anastasia Salter
Letters That Matter: The Electronic Literature Collection Volume 1
Introduction to Critical Code Studies Working Group
by Jeremy Douglass, Mark C. Marino
from the archive
Richard Schechner’s response (excerpt)
by Richard Schechner

Secondary Sidebar

ebr is an online, open access, peer-reviewed journal of critical writing produced and published by the emergent digital literary network.

  • subscribe to ebr
  • machine-writing
  • fictions present
  • first person
  • technocapitalism
  • writing (post)feminism
  • electropoetics
  • internet nation
  • critical ecologies
  • webarts
  • end construction
  • image + narrative
  • music/sound/noise
  • writing under constraint
  • Email
  • Facebook
  • Twitter

Footer

  • Email
  • Facebook
  • Twitter

Electronic Book Review (ebr ) is an online, open access, peer-reviewed journal of critical writing produced and published by the emergent digital literary network.

ISSN: 1553-1139

© 2018
ebr is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.