technocapitalism
Nature is What Hurts
In this review of Timothy Morton's Hyperobjects, Robert Seguin contemplates the implication of the text's eponymous subject on art, philosophy, and politics. The "hyperobject," a hypothetical agglomeration of networked interactions with the potential to produce inescapable shifts in the very conditions of existence, emerges as the key consideration for the being in the present.
Histories of the Present
Darren Tofts reviews a popularization by Marie O'Mahony and an auto-critique of cyberculture by Andrew Murphie and John Potts.