electropoetics

88 Constellations for Wittgenstein (To be Played with the Left Hand) (2008) by Canadian artist David Clark is a web-based Flash creation that explores the life and works of Austrian-born philosopher Ludwig Wittgenstein. In this paper, we show how rhetoric and digital technologies join to visually express philosophical concepts. The idea of “visual music” has been previously addressed in various fine arts such as literature, film, painting, sculpture, and music itself. We argue that in electronic literature it is possible to explore this concept by means of what we propose to call “gestural melodic manipulation”, which is the interplay of semiotic units (e.g. videos, sounds, images, linguistic texts) that the reader can add to the narrative by means of interaction and manipulation. In Clark’s e-lit work, “visual music” triggers the literary characteristics of the text by exposing different discourses and diverse thematic through intertextual and intermedial practices.

In this riPOSTe-turned-essay, John Cayley reflects on “the perpetual problem of terminology” in the field of electronic literature.

Carl Watts argues that J.R. Carpenter’s Entre Ville constructs Canadian literature as a unified, holistically understood entity that is both broadly accessible and fleetingly familiar. In so doing, Carpenter’s work aligns representations of Montréal with uses of new media, with the cross-cutting and mutually exclusive identities of the former mirrored in new-media poetry’s partial or conditional embrace of the formal possibilities of digital poetry.

Electronic Literature as Digital Humanities: Contexts, Forms & Practices is a volume of essays co-edited by Dene Grigar and James O’Sullivan that provides a detailed account of born-digital literature by artists and scholars who have contributed to its birth and evolution. Rather than offering a prescriptive definition of electronic literature, this book takes an ontological approach through descriptive exploration, treating electronic literature from the perspective of the digital humanities (DH)––that is, as an area of scholarship and practice that exists at the juncture between the literary and the algorithmic.

Claudia Kozak evaluates the potential of experimental e-lit to build decolonial critical paths within global digital humanities. Framing her perspective in the Epistemologies of the South (Sousa Santos) and decolonial thinking (Mignolo), she draws attention to politics of knowledge and analyses issues such as linguistic hegemonies, e-lit imaginaries and genealogies emerging from the Souths and unexpected mixtures between experimentalism and third-generation e-lit in Latin America.