fictions present

This roundtable discussion chaired by Ali Chetwynd, featuring artists Stef Aerts, Thomas Verstraeten, David Bird, Edward Holland, and Tim Youd took place at the Gaddis Centenary Conference in St Louis, on October 21st 2022. It has been lightly edited for clarity. Transcript by Marie Fahd.

This roundtable discussion, featuring Danielle Dutton, Edwin Frank, and Martin Riker took place at the Gaddis Centenary Conference in St Louis, on October 21st 2022. It has been lightly edited for clarity and was transcribed by Marie Fahd.

Jack Williams, after noting how the "depiction of U.S. imperialism in The Recognitions has received scant critical attention," gathers a selection of concrete descriptions in Gaddis's first novel of the "built environments" in the New York City and Paris sections, then demonstrates how these settings reflect and expand on the novel’s multi-pronged critique of postwar consumer culture.

Synthesising the published record, Ted Morrissey chronicles and analyzes the relationship between literary Williams Gaddis and Gass, which began in 1976 after Gass had helped secure the National Book Award for Gaddis's J R. Morrissey examines not only the pair's shared social history of meetings, conferences, and letters, but also examines the commonalities in their approaches to literature, and their affinities of taste, habit, and vision.

Chaired by Rone Shavers, transcribed by Marie Fahd, and joined by Jeff Jackson and Jacob Singer, this roundtable and discussion took place at the Gaddis Centenary Conference in St Louis, on October 22nd 2022. It has been lightly edited and expanded.

In his review of Thomas Travers' book "Peripheralizing DeLillo", Conte explores the thematic undercurrents of capitalism and its discontents across Don DeLillo's oeuvre.

Benjamin Bergholz provides a detailed description of the neoliberal hellscape prophesized in J R. Bergholz identifies a dialectical relationship between our necessary failure as readers to fully comprehend the full details of J R's world, and the historical developments—mainly, the "end of history"—that drive this failure. He asks, how might Gaddis’s decision to impair the reader’s "ability to see what is happening" in the world of his novel help us better engage with "what is happening" in the world outside of it?

Traces of Vaihinger appear in Gaddis’s first novel, The Recognitions. But what of the rest of his corpus? John Soutter explores Vaihinger's influence on Gaddis.

We asked our contributors a set of simple questions: what do you think Gaddis Studies has best covered already, what do you think are its prospects for the future, and what future avenues would you like to see explored?

Little is know about the famously private Thomas Pynchon, but can we learn anything from an early manuscript of V.? Hanjo Berressem reviews Becoming Pynchon by Luc Herman and John M. Krafft.