Ana Gago is a PhD Candidate at the Research Centre for Science and Technology of the Arts (School of Arts, Universidade Católica Portuguesa, Porto). Ana Gago's research focuses on the intersections between Art, Heritage and cultural programming. She is an honorary member of engage (National Association for Gallery Education) and ICOM Portugal. She is also a member of cyberliterary collective wr3ad1ng d1g1t5, and, recently, has co-curated the Art in Quarantine Project, an online gallery hosting more than 900 artworks produced in the first 40 days after the Covd-19 pandemic status by 350 authors from 57 different countries.

Richard A Carter is an artist and senior lecturer in Digital Media at the University of Roehampton. Carter is interested in examining the more-than-human within digital activities, objects, and environments. Carter’s research is embedded within his artistic practice, meditating on the potentialities of sensing, knowing, and writing at the intersection between human and machinic actors.

Samya Brata Roy (he/him) is a PhD student in the Department of Humanities and Social Sciences at IIT Jodhpur and a HASTAC scholar (2021-23). His interests lie in and around Literary Studies, Digital Humanities, Remediation, Pedagogy and Promoting Access via Networks. 

Fernanda Mugica is a literature teacher (UNMdP) and a PhD Research Fellow (CONICET) in digital literature. She has published Un billete de mil australes encontrado en un libro de Carl Sagan (EMR, 2018; Liliputienses, 2021), El núcleo duro (Goles Rosas, 2015) and Alberta (Honesta, 2014). She has also published in various specialized magazines and, in 2020, her essay "Todo lo que retrospectivamente ilumina" received the First Prize of the Critical Essay organized by the PROA Foundation and the Argentine Association of Art Critics. She has participated in the following anthologies: Archipiélagos (UNLP, 2018), Van llegando (Mansalva, 2017), Las olas y el viento (Letra Sudaca, 2015).