Rowan Wilken sets himself the challenge of theorizing the unrepresentable in relation to the architectural model of the diagram.

Michael Jarrett practices an Ulmer-inspired heuretics to write about rap.

As I thread my way through ebr, I touch base with the artificial intelligentsia that my work circulates in. The artificial intelligentsia is an internetworked intelligence that consists of all the linked data being distributed in cyberspace at any given time, one that is powered by artistic- intellectual agents remixing the flow of contemporary thought.

Kiki Benzon and Mark Z. Danielewski discuss his 2006 book Only Revolutions at the International Festival of Authors in Toronto.

There has never been a 'Best of the electronic book review' or a print collection. After ten full years of online publication, ebr has devised other ways of marking time, using techniques available in the same electronic media where the work first appeared. Here the editor presents an initial 'Gathering' of ebr essays, pulled from each of the journal's threads to date.

Jerome McGann addresses the so-called "Crisis in the Humanities" in the context of two of its most apparent symptoms: the digital transformation of our museums and archives, and the explicitly parallel "Crisis in Tenure and Publishing" that has more recently come to attention.

Trace Reddell introduces Sonic Contents.

tobias c. van Veen reviews Paul D. Miller a.k.a. Dj Spooky that Subliminal Kid's MIT publication, Rhythm Science.

David Rothenberg writes of the affective and effective power of reverb.

Erik Davis listens to Lee Perry's work.

Erik Davis discusses the relationship between electronic sound and environment.