Virginia Kuhn reviews an essay collection - Cybertext: Yearbook 2000 - ambivalent about its own printed status.

Ted Pelton reviews Ben Marcus's novel that's not one.

Thoughts on the debut novel by Alex Shakar.

Recent fiction by Curtis White, Alex Shakar, Michael Martone, and others read through the lens of Gertrude Stein and Wittgenstein.

Carsten Schinko on Niklas Luhmann's Analogue Loyalty.

graphics: Artists Rights Society; Performance for MIDI keyboard, pianola configurations, and click-track:G. Schirmer Rental; studio portrait of Hedy Lamarr: Roy George and Associates.

Lance Olsen tells the story of a creative writing professor who walked.

Lev Manovich makes the first sustained case for a new media theory, but with cinema as his starting point he has a hard time engaging the non-representational artforms and aural explorations to be found there. So argues the Australian media writer, geniwate.

Sukenick responds to Fleisher's feminist critique of "Narralogues" in the voice of his own fictional jeune-fille, Jane.

Sandy Huss suggests that the reform envisioned by Amato and Fleisher is already underway.

Reflections on Creative Writing as potentially part of the tradition of the avant garde.

In the era of English Department Cultural Studies, does the study of literature belong to the poet-professors? Marjorie Perloff offers a view from the English Department of what CW can do.

David Radavich rethinks creative writing as an art of living - one of many.

Joe Amato and Kass Fleisher suggest that creative writing pedagogy, particularly as found in the typical workshop, might benefit from a major, theoretically-informed, re-visioning. Introduced by ebr managing editor (1999-2002), Kirsten Young.