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[…]thereby highlighting the particular affordances given by the different types of media it utilizes to form its narrative. Thus, the media discussed includes songs from the album, websites, and videos posted to file sharing services. By doing so, this analysis aims to illustrate that ARGs and their unique mode of play capitalizes on perceived ambiguities, thereby generating conspiracy theories as a part of ARG narratives. “The Presence” in The Warning “The Warning” is a song from the Year Zero album. Just as in all other songs in the album, it ties into the larger diegesis of the Year Zero story, […]
[…]to the arts and to counter the residual prejudices of “the golden age of anti-critical criticism [of] the latter part of the nineteenth century” (3), but we can see the same gap in any work of high modernism that requires rigorous cognitive, critical engagement; in any works of the Renaissance or the Baroque periods that do the same; or, indeed, in any work of art, in any period of time, which demands the reader’s participation in order to draw out meaning. In other words, the gap is not just a gap, but a fault line that extends through time, between […]
[…]polyphony and jawed water-lines catapulted out.” This approach also recalls addad’s advice: “[e]verytime you encounter a research artifact (algorithm, toolkit, corpus, result, …), ask yourself how it might be used to generated poetry” (39). Work presented in Gnoetry Daily ostensibly retains three of four main historical tendencies identified by Bailey: “poetry of sound in verbal orchestrations,” “imagistic poetry in the juxtaposition of the unfamiliar,” and “haiku,” (ii) but also interrogates any pretense to meta-historical continuity. The eponymous software program that brought Gnoetry together synthesizes language based on its analysis of existing texts, thus mimicking the “statistical properties” of its input […]
[…]in their precariously leaning ivory tower. I view >Fantasies of the New Class as a companion piece to Andrew Hoberek’s equally outstanding The Twilight of the Middle Class: Post-World War II American Fiction and White-Collar Work. The two studies make identical claims about the structural proletarianization of the professional middle class (PMC), and they cover some common ground – The Adventures of Augie March, Invisible Man, White Noise – in the course of demonstrating how this transformation was resisted or denied within the pages of American novels. Schryer essentially repeats Hoberek’s thesis, yet he also valuably extends it by examining […]
[…]words that indicate a certain “pointing” (such as “this,” or brackets containing nothing []), typographic signs that seem to serve no semantic function in a given text (“@&%$!”), stranded facts (“West Germany 4.5%“), and proper names – all of which obstruct the “seductive reasoning of pluralism.” Writing of Bruce Andrews’ book-length poem I Don’t Have Any Paper So Shut Up, or Social Romanticism Los Angeles: Sun & Moon Press, 1992., Ngai hones in on the use of proper names as a breakage in semantic slippage: In their negative insistence, there is a sense in which the linguistic materials privileged in […]
[…]The individual contributor adding or editing the record chooses the tags. The system attempts to autocomplete using tags that are already in the system as the contributor types, but if a given tag has not been used before, it will be added to the vocabulary. So in comparison to the more semantically structured relations in the database, tags are a folksonomy and something of a “wild west” one at that. At our development meetings for the Knowledge Base, what to do with the tag system is still an open question. We periodically try to do some “weeding” to remove tags […]
[…]the “conflicts of interest…between social classes or nations” and “academic critique[s] of power” include the fundamental concerns of people of color, to denigrate these as “fashionable” or “no more than a shifting of funds” is to misunderstand how and why any “vision of planetary participation” must proceed through an account of power and race. People of color in general, and black communities specifically, have a long history of confronting the same consequences of scientific and technological development that the collection seeks to dismantle. Many of these, including genecentrism, human exceptionalism, and an unrelenting focus on competition over cooperation, have been […]
[…]been interpreted as an anti-nuclear parable. I will focus here, however, on thatgamecompany‘s latest title for Sony’s PlayStation, Journey (2012), the third and final game in a trilogy of sorts that began with the games fl0w and Flower. Elsewhere I have suggested that we repurpose the game walkthrough to think through games’ environmental content. In the context of environmental remediation, game environments may be the sites of a complex interplay of processes; just as a Superfund site becomes host to intentional human triage as well as the nonhuman agency of biological, chemical, and physical factors, a game invites intervention and […]
[…]both of which deal with the augmented reality software that “unlocks” the poems, and “conjure[s] the written word” (“Between Page And Screen” n/p). Easily viewed as a tool and even a service, this facet of the website stands out not as a marketing and promotional aid to a print or electronic book – as is common for book websites – but as a part of its textual material configuration and its poetics. The website is, indeed, fundamental to the specific reading conditions of BPaS. For many, the website and the AR engine might have a functional status, to reveal the […]
[…]of perception is to commit what he describes elsewhere as “the experience error” by which “[w]e make perception out of things perceived” (Phenomenology of Perception 5). The burgeoning fields of material culture and object-orientated ontology could benefit from Merleau-Ponty’s skepticism towards things. While the emergence of these fields can be viewed as an attempt to make up for lost time on the part of nonhuman things, which have long been subordinate in the study of human existence, their turn towards things tips the balance between subject and object too far in the direction of the latter. In his most recent […]