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[…]sources. This will be the stuff of litigation and payoffs by giant mega-corporations for years to come. At the same time this process will not be without its ironies. For example, Getty images, which itself has gathered and copyrighted images in a predatory and legally murky way, filed a substantial lawsuit against Stable AI for violating its copyright in training the Stable Diffusion text-to-image generator (Setty 2023), at the same time as much of Getty images’ archive itself is essentially stolen from other sources. Regardless, OpenAI’s scraping of data to train their models is unethical in the same way that […]
[…]“modding” (modification that enables people to copy and play game CDs). But these are only the latest manifestations of an endemic problem. According to the Interactive Digital Software Association, game pirates released approximately $3.2 billion worth of packaged goods last year: this figure is only for packaged software, and excludes Internet traffic in games, for which, according to Douglas Lownstein, president of IDSA, “there are no hard figures.” Since worldwide sales of legal games are approximately $17 billion, this would mean that pirated games are equivalent to just fewer than 20% of total business. Such figures should be viewed with […]
[…]Assistant to the Chair, the Vice Chancellor, the Chancellor and the President of the UC Regents.] For their attack on freedom of expression, of opinion, and of information of the community. We demand the immediate and unconditional reconnection of the Burn! server. Reaction to the Closing of Burn! From the Burn Collective After seven years online, the UCSD Communication department chair…has censored the project hosted at burn.ucsd.edu. (The Chair) has made the decision against the wishes of the majority of department faculty and graduate students and without consulting or even informing any of the department faculty or students involved with […]
[…]Media. Minneapolis: University of Minnesota Press, 2009. Print. —.‘Interferences: [Net.Writing] and the Practice of Codework.’ Electronic Book Review 2002. Web. Rettberg, Scott. “Dada Redux: Elements of Dadaist Practice in Contemporary Electronic Literature.” Fibreculture Journal. 01/01/2008. Web. Ryan, Marie-Laure. “What Has the Computer Done for the Word.” Genre XLI, 2008. 33-58. Print. Schechner, Richard. “9/11 as Avant-Garde Art?” PMLA 124.5, 2009, 1820-29. Print. Stefans, Brian Kim. ‘Privileging Language : The Text in Electronic Writing.’ Electronic Book Review 2005. […]
[…]Honig on pattern recognition across contemporary works of art. He was later introduced to the latest tools for image recognition using neural network machine learning algorithms, and after graduating from UC Berkeley chose to pursue an advanced degree in deep learning methods for image recognition (Oh 2018). In these contexts, we also distinguish between “skills” and “competencies”. “Skills” refer to the mere regurgitation of facts devoid of any context, such as how to code a random forest machine learning algorithm. Instead, we teach students “competencies” which are skills applied to highly-contextualized problems, such as how to code a random forest […]
[…]of the ever-expanding market reality and market mentality, of “art’s ever wider subjection […] to ‘the Great Game of Exchange’” (Vanwesenbeeck 153), of art’s and the artist’s value and role in a rather disenchanted society, have been recurring topics in critical studies of Gaddis, as they were for the man himself (see for example Angela Allan’s excellent recent study on neoliberalism and the value of art). Due to the encyclopedic and allusive nature of the novels across abundant cultural, religious, and philosophical themes and aesthetic issues, interdisciplinary, intertextual, intermedial, and transgeneric critical approaches suggest themselves. Various of Gaddis’s acknowledged influences […]
[…]purports to be into the twenty-first century; we must maintain a free culture. Lessig writes, “[D]emocracy has never just been about elections. Democracy means rule by the people, but rule means something more than mere elections. In our tradition, it also means control through reasoned discourse” (56). This discourse is enabled by new technologies in a manner never before possible. Free weblog services such as Blogger and Blogsome (not to mention free weblog platforms such as WordPress and Movable Type), free photosharing websites such as Flickr, and free video distribution channels such as Google Video and YouTube allow for asynchronous […]
[…]Phaedrus (274c-275b) to Foucault’s (1977) discussion of discipline and the panopticon up to examinations of the foundations of our knowledge infrastructure like those of Bowker in Memory Practices in the Sciences (2008). In fact, one of the reasons to look at the ethics of datafication is that this is one of the things the humanities do well and in the tradition of the humanities we ask about ethics over and again, now and again. Ethical reflection is one of the gifts the humanities bring to this age of surveillance – we draw on traditions of thought adapting them to the […]
[…]a refutation of “the fool” who would experience the pleasure of drink and yet still “contend[] that god is not.” The bottle in question is defined in terms of “cork” so presumably addresses wine or at least alcohol. The final lines grant that the niceness of the bottle and its contents establishes the existence of a god, but introduces some uncertainty as to which god, and what that god gets from the process: “‘Tis never sure but what god drinks from mine. // god, what?” The poem is punctuated, but uncapitalized. Relation to Gaddis’ Other Writings: Shares a pro-alcohol evangelism […]
[…]the book — is to dismiss such critiques as “a return of the old science fiction myths,” the latest instance of Frankenstein and the Sorcerer’s Apprentice, where “we have a reversal by which the creature becomes its master’s master” (77). But such concerns have been raised, of course, by scores of critics and philosophers who seem as far from the Deep Ecology position as Ferry himself (Kenneth Burke, Theodor Adorno, and Jeremy Rifkin come to mind, just to name three rather different — and markedly un-“Deep” –examples). See Kenneth Burke’s discussion of technology in the postscript to the second edition […]