2001
Reviewing new scholarship by David Joselit, Molly Nesbit, Thierry de Duve, and Linda Henderson, Hannah Higgins proposes that writing about Duchamp needs to be Duchampian in flavor.
Linda Brigham works through Embodying Technesis by Mark Hansen.
Elizabeth Wall Hinds reviews Andrew Miller's first novel, Ingenious Pain, winner of the James Black Memorial Fiction Prize and the 1999 International IMPAC Dublin Literary Award.
The msn thread originated in the Fall of 2001 as an ebr special co-edited by Cary Wolfe, Mark Amerika, and Joseph Tabbi.
With his software groovebox, Trace Reddell applies the tools and strategies of the DJ to the performance of literary interpretation and critical speculation.
Fifteen artists working along the blurry boundary of music, sound, and noise launch Alt-X Audio. curator: Mark Amerika.
Linda Carroli reviews Michael Joyce on networked culture, whose emergence changes our ideas of change.
Reflection on the two titans of entertainment and enlightenment.
Claire Rasmussen on geography and the social theory of Janet L. Abu-Lughod, Mike Davis, and Edward Soja.
Reflections on Red/Yellow/Blue in the context of Music/Sound/Noise.
Allison Hunter writes on Douglas Kahn, a modern musicologist who takes in the noise of modern battle, recordings from the tops of trains and the interiors of coalmines, and the musicality of undigitized everyday noise.
Steffen Hantke on Tom LeClair's and Richard Powers's novelistic imaginations of terror.
RVV Rob Wittig, Scriptor, fast forwards to a future when teenagers in neo-nikes and neo-soccer jerseys recreate ye olden days of the True Hip Hop Troubadour, circa Y2K.
Elise Kermani writes about her work with sound and invites readers to locate sounds of their own on the spectrum from noise to sound to music. database programming: Allison Hunter and Ewan Branda.
Jaishree K. Odin on the hyperfiction of M.D. Coverley.
Cary Wolfe investigates why the reviewers were so rattled by the Lars von Trier film, and in the process puts Jacques Derrida, Stanley Cavell, Slavoj Zizek, and Judith Butler into conversation.
A reluctant response to Markku Eskelinen's "Cybertext Theory: What An English Professor Should Know Before Trying," where Hayles discusses her admiration for Espen Aarseth's work... and the limitations within it she has perceived.
Considering hypertext as a subset of cybertexts, Markku Eskelinen offers seven examples of how to implement Espen Aarseth's seven-fold typology.