• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to secondary sidebar
  • Skip to footer

electronic book review

  • about ebr
  • policies and submissions
  • subscribe
  • Essays
  • Gatherings
  • newsletter
  • login

digital futures of literature, theory, criticism, and the arts

bobby rabyd

Accretive Dreams, Junk Narrativity, & Orphaned Excess in Moderation

Lance Olsen reviews hypertext writing, past and present, by Robert Arellano.

Primary Sidebar

other essays by
Lance Olsen
Accretive Dreams, Junk Narrativity, & Orphaned Excess in Moderation
Embodying the World
Learning to Wish for More
Narratological Amphibiousness, or: Invitation to the Covert History of Possibility
Remembering Robert Coover
electropoetics:
Other Essays in
No items found
Electronic Literature Experimentalism Beyond the Great Divide. A Latin American Perspective
by Claudia Kozak
Off Center Episode 4: Meme Culture, Social Media, and the January 6th Insurrection with Ashleigh Steele
by Scott Rettberg, Ashleigh Steele
image_001.png
An Emerging Canon? A Preliminary Analysis of All References to Creative Works in Critical Writing Documented in the ELMCIP Electronic Literature Knowledge Base
by Scott Rettberg
from the archive
Decollage of an Iconic Image
by Daniel Schulz

Secondary Sidebar

ebr is an online, open access, peer-reviewed journal of critical writing produced and published by the emergent digital literary network.

  • subscribe to ebr
  • machine-writing
  • fictions present
  • first person
  • technocapitalism
  • writing (post)feminism
  • electropoetics
  • internet nation
  • critical ecologies
  • webarts
  • end construction
  • image + narrative
  • music/sound/noise
  • writing under constraint
  • Email
  • Facebook
  • Twitter

Footer

  • Email
  • Facebook
  • Twitter

Electronic Book Review (ebr ) is an online, open access, peer-reviewed journal of critical writing produced and published by the emergent digital literary network.

ISSN: 1553-1139

© 2018
ebr is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.