burroughs

Jan Baetens reviews the Raymond Federman Recyclopedia, a book whose humour - and evident bad taste - raise it above its own formidable constraints.

Linda Brigham reads How We Became Posthuman the way Katherine Hayles reads novels: as a story that resists both linearity and the analytical ardor of attempts at humanist ordering.

Piotr Siemion discusses Infinite Jest by David Foster Wallace

Davis Schneiderman reviews two works on Burroughs - a writer who is both there and not there, who exemplifies and escapes post-structuralist readings and postmodernist celebrations.

Allison Hunter writes on Douglas Kahn, a modern musicologist who takes in the noise of modern battle, recordings from the tops of trains and the interiors of coalmines, and the musicality of undigitized everyday noise.