Giorgio Agamben has identified the “State of Exception” as the emergent principle of governance for the 21st Century. Parallel to this crisis in politics, there is the increasing currency of the term emergence in literary criticism, media theory, and cultural studies to describe the general state of change. In this paper, Heckman considers electronic literature in the "state of emergency," as both a laboratory for formal innovation and a site of critique. Specifically, this paper takes into account the relationship between literacy, law, literature and criticism through a reading of Sandy Baldwin’s New Word Order, a work that reimagines poetry in the context of the first-person shooter game.
Responding to the potential for having "all of ebr current" and even viewable on a single screen, Brigham wonders if it might not be better to kill off content. Brigham's model is the Blair Witch project.
Geoffrey Winthrop-Young gets inside De Landa's total history.
Linda Carroli reviews Michael Joyce on networked culture, whose emergence changes our ideas of change.
For Daniel Punday, Bernard Siegert's historical materialism - a difficult synthesis of historical, literary, and institutional analysis - falls somewhere between Derrida and Foucault. But see also the review in ebr by historian Richard John, who considers Siegert in the line of Walter Ong, Elizabeth Eisenstein, and Harold Innis.
Jill Walker questions who (or what) sets the rules for interaction.