Lexia to Perplexia:
hypertext? cybertext? hypermedia? webart? while new media critics debate the terms, Talan Memmott has produced the thing itself, a creative use of applied technology.
The Pixel/The Line
For all the talk of cyber-difference, screens still behave like pages. The contributors in section six have developed, in response, a digital aesthetics unlike that of print.
The Flights of A821: dearchiving the proceedings of a birdsong
Marta Werner uncages Emily Dickinson's fragments.