kathy acker
Can’t We Just Call It Sex?
Dodie Bellamy gets to the "dirty parts" of contemporary fiction.
False Pretenses, Parasites, and Monsters
Tom LeClair surveys six gargantuan texts—both hyper- and print—and finds that size is not all that matters.
Reverberation: Writing as a Visual Medium and the Sight of the Avant Garde
Further on Gertrude Stein, Carole Maso, and the avant garde in U.S. fiction from Lidia Yuknavitch.