Katherine Hayles uses Steve Tomasula's multimodal TOC for a significant engagement with the temporal processuality of complex technical beings. Drawing on Bergon's "duration" and its elaboration in recent theories of technicity and consciousness, Hayles explores the complex temporal enfoldings of living and technical beings, showing that Tomasula's new media novel narrates and materially embodies such assemblages.
Stephanie Strickland investigates an epistemological shift in web-specific art and literature, from an understanding that is less about structure and more about resonance.
"Connect the n space to the 0 and understand that the lack of time due to information overflow is an illusion," writes Victoria Vesna.
Engaged in his own kind of structured play, Stuart Moulthrop uses the concept of "under-language" to explore the boundaries, gutters, masked intentions, and hidden meanings of Moore and Gibbons' Watchmen, while simultaneously using the graphic novel to provide an equally complex, over-determined rendering of the term.