Computers abstract from true/false to host letters, pixels, and Nick Montfort’s riposte.
Rita Raley on the varieties of code/text, as discovered in the object-oriented aesthetic of Mez, Ted Warnell, Talan Memmott, Alan Sondheim, and others.
Johanna Drucker counters hands-off poetics with practice.
For all the talk of cyber-difference, screens still behave like pages. The contributors in section six have developed, in response, a digital aesthetics unlike that of print.
U.S. cybernetic pragmatisim and practical Net expertise interest Moulthrop (and his auditors) on “second thought.”
On the futures of electronic scholarship - an exchange among editors.