first person

"Connect the n space to the 0 and understand that the lack of time due to information overflow is an illusion," writes Victoria Vesna.

Phoebe Sengers praises the optimistic, self-aware conversation mapped by Warren Sack and First Person.

Camille Utterback's physical poetics, re-symbolized.

Johanna Drucker counters hands-off poetics with practice.

Computers abstract from true/false to host letters, pixels, and Nick Montfort's riposte.

Chris Crawford considers Zimmerman's definitions.

Simon Penny recalls that the origins of the human-computer interface, politicized by a military heritage, are now explored by artist-enigineers who chaperone fragmentation and dissent.

Eric Zimmerman modifies Gonzalo Frasca's game strategy with a strategic patch.

Eugene Thacker sees ethical acting as a potential stumbling block, one that trips up technological complicity.

The "cognitive entailments" of a reader, or "interactor," are where Katherine Hayles redirects the new aesthetics of electronic textuality.