Chris Carter’s ebr interview with Ulmer delves more deeply into how the FRE’s emerAgency incorporates heuretics into Web-based discourse. Ulmer’s attention to the consumerist tendencies of popular culture helps the FRE form a poetics that is at once oppositional and generative. Marc Bousquet in turn comments on Carter’s interview in “Teaching the Cyborg.” Chris Carter’s ebr interview with Ulmer delves more deeply into how the FRE’s emerAgency incorporates heuretics into Web-based discourse. Ulmer’s attention to the consumerist tendencies of popular culture helps the FRE form a poetics that is… continue

The bulk and density of Jackson’s text suggests that it be considered under the auspices Tom LeClair establishes in The Art of Excess and his ebr essay, “False Pretenses, Parasiates, and Monsters”. The bulk and density of Jackson’s text suggests that it be considered under the auspices Tom LeClair establishes in The Art of Excess and his ebr essay, “False Pretenses, Parasiates, and Monsters”.

In 1996, for an early ebr special on intellectuals and the public sphere, Joseph Tabbi and Gregory Ulmer discussed “what intellectual work would be like in the new electracy.” How far their predictions held true, can be seen by comparing the old ebr with the current interface that features new essays on Ulmer’s work. In 1996, for an early ebr special on intellectuals and the public sphere, Joseph Tabbi and Gregory Ulmer discussed “what intellectual work would be like in the new electracy.” How far their predictions held true, can be seen by comparing the old ebr with the current interface that… continue

Further inte(re)views with novelists Harry Mathews and Lee Siegel can also be found on ebr. Further inte(re)views with novelists Harry Mathews and Lee Siegel can also be found on ebr.

Jerome McGann’s NINES white paper is available on ebr as one of the first texts to be “enfolded” into the ebr interface.

As Stephen-Paul Martin points out in his ebr review of Lance Olsen’s novel 10:01, Will Navidson, the protagonist in Danielewski’s House of Leaves, later appears as 10:01’s second character Stuart Navidson. As Stephen-Paul Martin points out in his ebr review of Lance Olsen’s novel 10:01, Will Navidson, the protagonist in Danielewski’s House of Leaves, later appears as 10:01’s second character Stuart Navidson.

Rob Wittig posits the origin of hip hop (and, incidentally, the invention of love), in the age of the troubadours (12th century France). Rob Wittig posits the origin of hip hop (and, incidentally, the invention of love), in the age of the troubadours (12th century France).

David Zauhar’s essay “Perloff in the Nineties” reviews, among her other works, Wittgenstein’s Ladder – a work which he claims is at least partly about how certain novelists and poets undertake projects that Wittgenstein himself appropriated for philosophy. David Zauhar’s essay “Perloff in the Nineties” reviews, among her other works, Wittgenstein’s Ladder – a work which he claims is at least partly about how certain novelists and poets undertake projects that Wittgenstein himself appropriated for philosophy.

ebr contributors Diane Goodman and Elisa Sheffield write of the postfeminist fiction anthology Chick-Lit – an anthology which also aims, as Neigh writes, to disrupt normative definitions of narrative. ebr contributors Diane Goodman and Elisa Sheffield write of the postfeminist fiction anthology Chick-Lit – an anthology which also aims, as Neigh writes, to disrupt normative definitions of narrative.

In her recent essay “Robert Creeley’s Radical Poetics,” Marjorie Perloff similarly explores the unsettling and so threatening language of Robert Creeley, with whom Raworth has long been associated.