Gloss on On Hip-Hop, A Rhapsody
Lori Emerson
July 21, 2007
P:nth-child(21)
Echoing Jarrett’s claim for hip-hop as montage, Marcus Boon’s “Sublime Frequencies’ Ethnopsychedelic Montages” drives home to us that hip hop emerged out of the B-Boys’ taste for African polyrhythms purloined from old vinyl reshaped and engineered on turntables and mixers.
Gloss on On Hip-Hop, A Rhapsody
Lori Emerson
July 21, 2007
P:nth-child(11)
While Jarrett argues for rap as rhapsody, Rob Wittig presses for a future revival of hip-hop as the art of the troubadour.
Gloss on On Hip-Hop, A Rhapsody
Lori Emerson
July 21, 2007
P:nth-child(15)
It’s no surprise, then, that Daniel Reiss claims in his ebr review of Roger Chartier’s Forms and Meanings that the greatest insight afforded by Ong’s scholarship is that altering the forms by which thought is expressed and disseminated alters the process of thought itself.
Gloss on Illogic of Sense | The Gregory L. Ulmer Remix: Introduction
Lori Emerson
July 21, 2007
P:nth-child(10)
Victor Vitanza reviews Ulmer’s Heuretics and contextualizes it in relation to Ulmer’s oeuvre. Victor Vitanza reviews Ulmer’s Heuretics and contextualizes it in relation to Ulmer’s oeuvre.
Gloss on Illogic of Sense | The Gregory L. Ulmer Remix: Introduction
Lori Emerson
July 21, 2007
P:nth-child(5)
Chris Carter’s ebr interview with Ulmer delves more deeply into how the FRE’s emerAgency incorporates heuretics into Web-based discourse. Ulmer’s attention to the consumerist tendencies of popular culture helps the FRE form a poetics that is at once oppositional and generative. Marc Bousquet in turn comments on Carter’s interview in “Teaching the Cyborg.” Chris Carter’s ebr interview with Ulmer delves more deeply into how the FRE’s emerAgency incorporates heuretics into Web-based discourse. Ulmer’s attention to the consumerist tendencies of popular culture helps the FRE form a poetics that is… continue
Gloss on Geek Love Is All You Need
Ben Underwood
July 5, 2007
P:nth-child(3)
The bulk and density of Jackson’s text suggests that it be considered under the auspices Tom LeClair establishes in The Art of Excess and his ebr essay, “False Pretenses, Parasiates, and Monsters”. The bulk and density of Jackson’s text suggests that it be considered under the auspices Tom LeClair establishes in The Art of Excess and his ebr essay, “False Pretenses, Parasiates, and Monsters”.
Gloss on Illogic of Sense | The Gregory L. Ulmer Remix: Introduction
Lori Emerson
May 29, 2007
P:nth-child(2)
In 1996, for an early ebr special on intellectuals and the public sphere, Joseph Tabbi and Gregory Ulmer discussed “what intellectual work would be like in the new electracy.” How far their predictions held true, can be seen by comparing the old ebr with the current interface that features new essays on Ulmer’s work. In 1996, for an early ebr special on intellectuals and the public sphere, Joseph Tabbi and Gregory Ulmer discussed “what intellectual work would be like in the new electracy.” How far their predictions held true, can be seen by comparing the old ebr with the current interface that… continue
Gloss on Revolution 2: An Interview with Mark Z. Danielewski
Lori Emerson
April 14, 2007
P:nth-child(3)
Further inte(re)views with novelists Harry Mathews and Lee Siegel can also be found on ebr. Further inte(re)views with novelists Harry Mathews and Lee Siegel can also be found on ebr.
Gloss on The Way We Live Now, What is to be Done?
Stefanie Boese
September 8, 2007
P:nth-child(32)
Jerome McGann’s NINES white paper is available on ebr as one of the first texts to be “enfolded” into the ebr interface.
Gloss on Revolution 2: An Interview with Mark Z. Danielewski
Lori Emerson
March 20, 2007
P:nth-child(37)
As Stephen-Paul Martin points out in his ebr review of Lance Olsen’s novel 10:01, Will Navidson, the protagonist in Danielewski’s House of Leaves, later appears as 10:01’s second character Stuart Navidson. As Stephen-Paul Martin points out in his ebr review of Lance Olsen’s novel 10:01, Will Navidson, the protagonist in Danielewski’s House of Leaves, later appears as 10:01’s second character Stuart Navidson.