Search results for "critical code studies working group"
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[…]is not in the textual output which is always changing and generated through the execution of the code by the computer. It may perhaps be located in the code, which Montfort, like other practitioners of digital poetry, makes available for free for others to hack, copy, manipulate and use in different contexts and in the case of this work, countless remixes over the years. But even here, the code has to follow the scripting rules of the programme used, in this case Python, and the code needs the computer to be executed that creates the language. This brings me to […]
[…]that includes the remediation of forms, remixability, human computer interaction, software and code studies, narratology, trans-lingual, intersemiotic approaches, and multimodal studies in conjunction with the creative practice, and with translation as a creative practice. 3.1 The Poetry Machine One of the platforms we have explored is The Poetry Machine (PM), which is an interactive, participatory, digital literary installation (Woetmann et al. 2012).Peter-Clement Woetmann, Ursula Andkjær Olsen, Martin Campostrini, Jonas Fritsch, Ann Luther Petersen, Søren Bro Pold, Allan Thomsen Volhøj, et al., The Poetry Machine, http://www.inkafterprint.dk/?page\_id=45, 2012-. CAVI & Roskilde Libraries. PM is designed to make people affectively engage with, and […]
[…]noted, practitioners in the games industry who might call what they do something else, scholars working in predominantly critical capacities, the most prolific of which is arguably Anne Karhio. The point that I am making here is simple: Maguire was, for a long time, Irish e-lit’s only representative, and whatever small community we now have owes a considerable debt to his pioneering efforts—to borrow from Grigar and Moulthrop—as I often do—Michael Maguire is Ireland’s pathfinder. When we assess Maguire’s contributions to the field, we need to look beyond what he did as an instigator: not only did he start a […]
[…]Review. August 29, 1993. Delany, Paul and Landow, George P. “Hypertext, Hypermedia, and Literary Studies: The State of the Art.” In Paul Delany and George P. Landow’s (Eds) Hypermedia and Literary Studies. Cambridge, MIT Press, 1991, 3-50. Derrida, Jacques. Archive Fever: A Freudian Impression. Trans. Eric Prenowitz. Chicago, University of Chicago Press, 1996. Foucault, Michel. The Archaeologies of Knowledge. Trans. A.M. Sheridan Smith. New York, Pantheon, 1972. Grigar, Dene, and Stuart Moulthrop. “The Interview with Bill Bly about We Descend.” Pathfinders, http://scalar.usc.edu/works/pathfinders/bly-interview. Kirschenbaum, Matthew G. Mechanisms: New Media and the Forensic Imagination. Cambridge, MIT Press, 2008. Landow, George P. Hypertext 3.0: Critical […]
[…]of poetry by imprisoning the verbal and social elements of poetry within a relatively static codex. Poets working in the age of print were, certainly, aware of how print had transformed the possibilities of their art, leading to experiments like typographic poetry in which the formatting of the words on the printed page make a shape emblematic of the theme of the poem. Nevertheless, poets like Adonis, Mahmoud Darwish, and Fatima Naoot continue to practice poetry as a verbal, social, and ritualistic art form. What Adab and websites like it do is to return even modernist poetry back more squarely […]
[…]“I got nothing out of the poetry I read,” that for him “It was as if poems were written in code,” (Knausgård, 2018, 422), and then he goes straight into this very rigorous and fascinating, in fact virtuoso reading… Joseph Tabbi: But that massive lack is real. And the way that he accesses Celan is more like what Scott described. He reaches up and takes a book off the shelf. I think the essays are some of the best parts in the corpus actually. But one reason they’re some of the best is that we’ve got the writer reflecting on […]
[…]Jussi, « New Materialism as Media Theory: Medianatures and Dirty Matter », Communication and Critical/Cultural Studies, vol. 9, n. 1, 2012, p. 95-100 Peters John Durham , The Marvelous Clouds – Toward a Philosophy of Elemental Media, Chicago : University of Chicago Press, 2015. Petit Victor, « Internet, un milieu technique d’écriture », in E. Rojas (éd.), Réseaux socionumériques et médiations humaines. Le social est-il soluble dans le Web ?, Hermès-Lavoisier, Paris, 2013, p. 155-173 Pignier Nicole et Mitropoulou Eleni (dir.), Former ou formater ? Les enjeux de l’éducation aux médias, Editions Solilang, 2014 Simondon Gilbert, Du mode d’existence des […]
[…]introduction to the work. The usual code for punch cards at the time was EBCDIC (Extended Binary Coded Decimal Interchange Code). Comparing the card perforations and the printed text of the poems in the same cards, the use of EBCDIC is demonstrable. El canto del gallo is a visual poem book, designed in an IBM MT72 composer. When explaining in an article how best-selling novelist Len Deighton composed in 1968 also with an IBM MT72 his novel about World War II, titled Bomber, Mathew Kirchembaum poses that Deighton’s was the first novel ever written on a word processor. He also […]
[…]after another, adopt multiple voices, and carry a mixed assortment of messages and cargo. The code may not be the text – or all of the text – but here a glance at the work’s code helps illustrate the variety of locations, experiences and materials involved. Transmissions have numerous points of departure and arrival; they are situated in specific material locations or places of personal significance: [‘Canada’,’England’,’Ireland’,’Scotland’,’Wales’,’Cornwall’,’New Brunswick’,’Nova Scotia’,’Cape Breton’,’Newfoundland’,’Labrador’,’the Maritimes’,’the Scilly Isles’,’the Hebrides’,’the Orkneys’,’the New World’,’the old country’,’home’] Each message is not only geographically situated, but also embedded in a system of communication that has a technological and material, […]
[…]had been working in collaboration with Jeremy on developing the initial practices of critical code studies, the application of hermeneutics from the humanities to the interpretation of the extra-functional significance of computer source code. That practice involved examining source code as a cultural text in order to discuss its cultural meaning. He models these methods in his new book Critical Code Studies. Together we three scholars set out to read a work of digital literature together using the methods we had been developing separately. The result was a collaborative reading experience that changed the way we saw the digital object […]